{"id":2703,"date":"2022-10-12T19:00:00","date_gmt":"2022-10-13T00:00:00","guid":{"rendered":"https:\/\/www.rbcwealthmanagement.com\/en-ca\/insights\/five-trends-that-are-changing-the-shape-of-the-art-world\/"},"modified":"2023-11-01T10:39:37","modified_gmt":"2023-11-01T14:39:37","slug":"five-trends-that-are-changing-the-shape-of-the-art-world","status":"publish","type":"post","link":"https:\/\/www.rbcwealthmanagement.com\/en-ca\/insights\/five-trends-that-are-changing-the-shape-of-the-art-world","title":{"rendered":"Five shifts in the art world that are creating a more inclusive market"},"content":{"rendered":"<p>For the art world, a decade&#8217;s worth of quiet digital reinvention combined with a new generation of collectors and evolving motivations for purchasing art have helped change the shape of the industry. We&#8217;ve arrived at an art world that is more digital, inclusive and expansive.<\/p>\n<p>It&#8217;s not surprising, says Stefan Hancherow, art curator with RBC&#8217;s Curatorial Department&mdash;the art world is always in flux. &ldquo;[Ideas] come to the forefront at certain times of the year or certain decades&mdash;things ebb and flow.&#8221; But the current art world feels like a radically different place than what existed before the pandemic.<\/p>\n<p>Here are five trends that are redefining it.<\/p>\n<h2>1. The rise of inclusivity<\/h2>\n<p>For Hancherow, one of the defining changes in the art world is a shift in inclusivity across the market at all levels. &ldquo;Not only BIPOC, female and LGBTQ+ artists, but also dealers and collectors, from my perspective, are leading the charge and continuing to incite meaningful change.&#8221; As museums and institutions continue to focus on championing diverse programs, this change continues to be driven and supported by a broad ecosystem. &#8220;I see that continuing to grow,&#8221; says Hancherow.<\/p>\n<p>Auction house Christie&#8217;s, for example, strengthened its efforts to increase diversity and representation in 2021 by <a href=\"https:\/\/www.christies.com\/presscenter\/pdf\/10337\/Christie's%20EOY%202021%20Press%20Release_10337_1.pdf\" target=\"_blank\" rel=\"noopener\">appointing more women (including BIPOC) to executive roles and establishing a 50\/50 gender balance of auctioneers <\/a>.<\/p>\n<p>Tricia Heuring, curator and coordinator of the Minneapolis-based art collection for RBC Wealth Management&ndash;U.S., says she&#8217;s seen &ldquo;more openness&#8221; in the art world than ever before. &ldquo;The art world has always been a very exclusionary place,&#8221; says Heuring. However, societal shifts over the past few years have helped change that. &ldquo;In trying to dismantle structures and systems that really have been oppressive&mdash;by really breaking open the art world in that way&mdash;these shifts are creating new markets, new communities and new rules of engagement.&#8221;<\/p>\n<h2>2. New generation, new motivations<\/h2>\n<p>In line with a growing sense of inclusivity, the next generation of collectors are<span>&nbsp;<\/span>also introducing new motivations to the art world. According to 2021 figures from Christie&#8217;s, a third of new buyers were millennials. Deloitte and ArtTactic&#8217;s<span>&nbsp;<\/span><a href=\"https:\/\/s3.amazonaws.com\/external_clips\/attachments\/4908190\/original\/Deloitte_art-finance-key-findings-2021.pdf?1662058490\" target=\"_blank\" rel=\"noopener\" class=\"link-ext\"><em data-redactor-tag=\"em\">Art &amp; Finance Report 2021<\/em> <\/a> found that 86 percent of younger collectors (i.e., those under age 35) consider art a social-impact investment, compared to just 32 percent of those aged over 35. Social impact is the top motivation (alongside emotional value) for the next generation of collectors.<\/p>\n<p>&ldquo;There&#8217;s a lot more empowerment in thinking about where you&#8217;re putting your money and how you&#8217;re supporting the artists in your community,&#8221; says Heuring. She likens it to the idea of supporting local businesses, which really gained prominence during the early days of the COVID-19 pandemic. &ldquo;I think that rippled into a motivation or a permission to collect art in that way as well.&#8221;<\/p>\n<p>The next generation is also increasingly focused on BIPOC artists.<span>&nbsp;<\/span><a href=\"https:\/\/pages.artsy.net\/rs\/609-FDY-207\/images\/Art-Collecting-2021-An-Artsy-Report.pdf\" target=\"_blank\" rel=\"noopener\">A report by online art brokerage Artsy, <em data-redactor-tag=\"em\">Art Collecting 2021<\/em> <\/a>, found that roughly a quarter of collectors say amassing works by minority artists is important to them, generating a more-diverse representation in the arts.<\/p>\n<h2>3. Digital transformation finds its inertia<\/h2>\n<p>In addition to new motivations, the next generation is changing the way art is sold. According to the Deloitte and ArtTactic report, Sotheby&#8217;s, Christie&#8217;s and Phillips&#8217; online-only auction sales reached US$1.05 billion in 2020, eclipsing 2019&#8217;s US$168 million in sales. Artsy&#8217;s 2021 report found the number of collectors who had purchased art online grew 30 percent between 2019 and 2021.<\/p>\n<p>Online marketplaces like Artland and Peggy are making the art market more transparent and accessible.<\/p>\n<p>Social media has also found its footing as a medium for artists that flips the classic gallery representation model on its head. &ldquo;There are artists who really don&#8217;t need gallery representation anymore, because they have 50,000 followers on Instagram and have a built-in audience of their own,&#8221; says Heuring. &ldquo;They share their process throughout the year, then offer their artwork when it&#8217;s available&mdash;and their own audience just purchases it directly from them.&#8221;<\/p>\n<h2>4. Blockchain buzz propels NFTs to the forefront<\/h2>\n<p>Despite the buzz surrounding non-fungible tokens (NFTs)&mdash;a form of unique digital asset stored on a blockchain), Christie&#8217;s and Sotheby&#8217;s<span>&nbsp;<\/span><a href=\"https:\/\/www.forbes.com\/sites\/abrambrown\/2022\/04\/09\/how-sothebys-combined-nfts-and-a-netflix-attitude-in-a-wild-bid-to-be-crypto-cool\/?sh=7231156355b4\" target=\"_blank\" rel=\"noopener\" class=\"link-ext\">sold only US$240 million worth of NFT art and digital collectibles combined <\/a>, a small percentage of their collective overall sales.<\/p>\n<p>But blockchain technology does carry the potential for traceability. &ldquo;There are really serious artists who are actually using the digital certificate for their own physical art or really complex digital art projects,&#8221; explains Sara Johnson, vice president of High-Net-Worth Planning Services &#8211; International estate, art and digital legacy planning at RBC Wealth Management in Canada. But on the collector side, Johnson likens the appetite for NFT investments to the early days of a gold rush. &#8220;NFT platforms feel like a<span>&nbsp;<\/span><i data-redactor-tag=\"i\">movable feast,<\/i>&#8221; she adds. &#8220;There&#8217;s still a lot of risk, especially in overall valuation, payments using cryptocurrencies and the future of code-based artists&#8217; royalties,&#8221; she says. &ldquo;We&#8217;re learning more about it as the market matures but it&#8217;s a daily exponential learning curve&mdash;through enthusiastic tribulations.&#8221;<\/p>\n<h2>5. Canadian artists are gaining momentum<\/h2>\n<p>Another defining trend is Canadian art&#8217;s growing momentum on a global scale. &ldquo;The visual arts in Canada are still one of those underrated and aspects from an international perspective,&#8221; says Hancherow, adding that Canadian art can be undervalued and underappreciated around the world. &ldquo;But I think that&#8217;s changing.&#8221;<\/p>\n<p>He points to<span>&nbsp;<\/span><a href=\"\/community\/insights\/isuma-represents-canada-at-venice-biennale-2019\">major exhibits by Canadian artists in Venice<\/a> that have helped raise their profiles. &ldquo;From an Indigenous and Inuit art perspective, I think Canada&#8217;s doing quite a bit more than some other colonial nations, in that it&#8217;s driving that discussion,&#8221; adds Hancherow. It&#8217;s in step with the growth of interest in BIPOC artists. But he cautions that the growth isn&#8217;t necessarily indicative of representation&mdash;or of equity, for that matter. &ldquo;Even though we&#8217;ve seen massive increases in the number of artists of colour, Indigenous artists and women artists in the art world, the separation is still vast&mdash;[the artwork] is still so undervalued when compared to male counterparts.&#8221;<\/p>\n<p>Ultimately, Hancherow says, the rising profile of Canadian art fits into a wider narrative underpinning the trends redefining the art world. Things are becoming more inclusive, innovative and approachable, and the next social-impact-focused generation is ensuring that.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Digital reinvention, societal shifts and a new generation of collectors with changing motivations are creating a more inclusive art 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