{"id":19318,"date":"2023-11-28T14:47:56","date_gmt":"2023-11-28T19:47:56","guid":{"rendered":"https:\/\/www.rbcwealthmanagement.com\/fr-ca\/?post_type=rbcwm_community&p=19318"},"modified":"2023-11-28T15:06:03","modified_gmt":"2023-11-28T20:06:03","slug":"canadian-artist-azza-el-siddique-melds-materials-and-technologies-to-help-people-see-art-in-new-spectacular-ways","status":"publish","type":"rbcwm_community","link":"https:\/\/www.rbcwealthmanagement.com\/fr-ca\/community\/insights\/canadian-artist-azza-el-siddique-melds-materials-and-technologies-to-help-people-see-art-in-new-spectacular-ways","title":{"rendered":"L\u2019artiste canadienne Azza\u00a0El\u00a0Siddique combine mat\u00e9riaux et technologies pour aider les gens \u00e0 voir l\u2019art diff\u00e9remment"},"content":{"rendered":"\n

Peinture de gauche : Teto Elsiddique \u2013 neckrings, a breezy thing<\/em>, 2017. Acrylique sur toile, 152,4 cm x 121,9 cm. Peinture de droite : Azza El Siddique \u2013 neckrings, a breezy thing (Rust)<\/em>, 2023. Acier et oxyde de fer, 152,4 cm x 121,9 c. D\u00e9voil\u00e9 au kiosque de RBC \u00e0 Art Toronto en 2023.<\/p>\n\n\n\n

Les critiques d\u2019art ont d\u00e9crit l\u2019artiste canadienne \u00e9mergente Azza El Siddique comme une alchimiste qui cr\u00e9e des environnements organiques. Ses installations multisensorielles ont \u00e9t\u00e9 compar\u00e9es \u00e0 des laboratoires, des plateaux de jeux et des usines de fabrication <\/a>.<\/p>\n\n\n\n

Azza El Siddique, qui partage son temps entre Toronto et New Haven (Connecticut), invite les spectateurs \u00e0 se d\u00e9placer dans des espaces immersifs de la taille d\u2019une pi\u00e8ce pour observer des assemblages d\u2019objets comprenant de l\u2019acier, des r\u00e9cipients en argile, des huiles parfum\u00e9es, de l\u2019eau et des sculptures imprim\u00e9es en 3D.<\/p>\n\n\n\n

Sa pratique explore la mortalit\u00e9, l\u2019entropie et les syst\u00e8mes de pouvoir. Elle s\u2019inspire de son h\u00e9ritage soudanais, de sa vie d\u2019enfant d\u2019immigr\u00e9 au Canada et des rites et artefacts de l\u2019\u00c9gypte ancienne et de la Nubie.<\/p>\n\n\n\n

L\u2019exp\u00e9rience est souvent \u00e9ph\u00e9m\u00e8re, \u00e9voquant des questions sur l\u2019au-del\u00e0 : les mat\u00e9riaux se transforment, se dissolvent, disparaissent en fum\u00e9e ou se d\u00e9composent en rouille et en r\u00e9sidus persistants.<\/p>\n\n\n\n

Inspir\u00e9e par le travail de son d\u00e9funt fr\u00e8re<\/strong><\/strong><\/h2>\n\n\n\n

L\u2019un des motifs de l\u2019\u0153uvre d\u2019Azza El Siddique est profond\u00e9ment personnel : poursuivre l\u2019h\u00e9ritage de son fr\u00e8re a\u00een\u00e9, Teto Elsiddique, un artiste \u00e9mergent talentueux qui est d\u00e9c\u00e9d\u00e9 en octobre 2017. (\u00c0 noter qu\u2019Azza \u00e9pelle son nom de famille diff\u00e9remment de Teto.)<\/p>\n\n\n\n

Parmi les objets pr\u00e9sent\u00e9s lors d\u2019une exposition personnelle en 2022 \u00e0 la galerie Helena Anrather de New York figurait une r\u00e9plique en bronze de l\u2019une des casquettes de baseball de Teto, 7 3\/8<\/em>, coul\u00e9e selon un processus qui a d\u00e9truit l\u2019original. Une autre pi\u00e8ce, A dog without a master (Rust)<\/em>, a grav\u00e9 les contours d\u2019une des peintures de Teto sur de l\u2019acier qui se corrodera avec le temps \u2013 ce qu\u2019Azza appelle une peinture de rouille.<\/p>\n\n\n\n

\u00ab Ce que j\u2019admire chez mon fr\u00e8re et sa pratique \u2013 et ce que j\u2019utilise aussi pour me mettre au d\u00e9fi \u2013 c\u2019est sa capacit\u00e9 d\u2019innovation et sa fa\u00e7on de voir les choses. Il y a un engagement profond avec la mat\u00e9rialit\u00e9 : prendre des objets simples et les transformer en quelque chose de spectaculaire \u00bb, explique Azza El Siddique, depuis son studio de New Haven.<\/p>\n\n\n\n

\u00ab Lorsque je travaille, j\u2019y pense. Et je m\u2019astreins en quelque sorte \u00e0 ces normes \u00bb, dit-elle.<\/p>\n\n\n\n

Le potentiel illimit\u00e9 des nouvelles technologies et des nouveaux mat\u00e9riaux<\/strong><\/strong><\/h2>\n\n\n\n

N\u00e9e en 1984 \u00e0 Khartoum, au Soudan, Azza avait quatre ans lorsque sa famille a immigr\u00e9 au Canada et s\u2019est install\u00e9e \u00e0 Vancouver. Elle a d\u00e9m\u00e9nag\u00e9 \u00e0 Toronto en tant qu\u2019\u00e9tudiante, avec l\u2019intention d\u2019\u00e9tudier le design de mode \u00e0 l\u2019Universit\u00e9 m\u00e9tropolitaine de Toronto. Elle a chang\u00e9 d\u2019id\u00e9e et s\u2019est finalement inscrite \u00e0 l\u2019Universit\u00e9 de l\u2019\u00c9cole d\u2019art et de design de l\u2019Ontario. Elle y a obtenu, en 2014, un baccalaur\u00e9at en beaux-arts en art mat\u00e9riel et design.<\/p>\n\n\n\n

Apr\u00e8s une r\u00e9sidence d\u2019artiste de trois ans au Harbourfront Centre de Toronto, elle a \u00e9t\u00e9 accept\u00e9e \u00e0 la Yale School of Art, \u00e0 New Haven, pour des \u00e9tudes sup\u00e9rieures, o\u00f9 elle a obtenu une ma\u00eetrise en beaux-arts en sculpture en 2019.<\/p>\n\n\n\n

Azza adopte une approche artistique ax\u00e9e sur la recherche, tout comme son fr\u00e8re, influenc\u00e9e par la relation avec leur p\u00e8re, titulaire d\u2019un doctorat en g\u00e9nie chimique.<\/p>\n\n\n\n

\u00ab Comprendre le monde, c\u2019est regarder les choses, faire des hypoth\u00e8ses, s\u2019int\u00e9resser \u00e0 de nouveaux mat\u00e9riaux ou de nouvelles technologies et voir ce qui peut en d\u00e9couler \u00bb, explique-t-elle.<\/p>\n\n\n\n

Azza pr\u00e9sente des objets dans diff\u00e9rents \u00e9tats pour souligner leur caract\u00e8re \u00e9ph\u00e9m\u00e8re. Elle a con\u00e7u des activations thermiques pour lib\u00e9rer les ar\u00f4mes de l\u2019encens Bukhoorelle <\/a>, inspir\u00e9e de son \u00e9tude de l\u2019ancienne parfumerie soudanaise. Elle a construit des syst\u00e8mes d\u2019irrigation personnalis\u00e9s pour dissoudre des r\u00e9cipients en argile sous un lent filet d\u2019eau <\/a>. Elle a num\u00e9ris\u00e9 des images num\u00e9riques et cr\u00e9\u00e9 des mod\u00e8les 3D pour observer les structures mol\u00e9culaires.<\/p>\n\n\n\n

Les \u0153uvres d\u2019un fr\u00e8re et d\u2019une s\u0153ur trouvent leur place ensemble<\/strong><\/strong><\/h2>\n\n\n\n

Lorsque Corrie Jackson, conservatrice principale \u00e0 RBC, a vu l\u2019exposition solo 2022 d\u2019Azza El Siddique \u2013 et sa peinture de rouille, en particulier \u2013 elle a tout de suite vu un lien avec la mission de la Collection d\u2019\u0153uvres d\u2019art RBC <\/a>. Avant le d\u00e9c\u00e8s de Teto Elsiddique, sa peinture neckrings, a breezy thing<\/em> avait \u00e9t\u00e9 acquise par RBC dans le cadre d\u2019un concours d\u2019art pour artistes canadiens \u00e9mergents. Sa s\u0153ur s\u2019est inspir\u00e9e de ce tableau pour cr\u00e9er une nouvelle peinture de rouille.<\/p>\n\n\n\n

\u00ab Le moment o\u00f9 nous avons pens\u00e9 que nous pourrions pr\u00e9senter cette \u0153uvre d\u2019Azza et la faire dialoguer avec Teto et son \u0153uvre, install\u00e9e dans un espace de RBC, \u00e9tait tout simplement magique. Ce que j\u2019aime dans l\u2019\u0153uvre d\u2019Azza, c\u2019est son \u00e9nergie cin\u00e9tique \u00bb, explique Mme<\/sup> Jackson.<\/p>\n\n\n\n

Selon Mme<\/sup> Jackson, la Collection d\u2019\u0153uvres d\u2019art RBC vise \u00e0 contextualiser les \u0153uvres d\u2019artistes \u00e9mergents <\/a> aux c\u00f4t\u00e9s de ceux qui ont \u00e9t\u00e9 leurs mentors et leurs enseignants. La nouvelle \u0153uvre d\u2019Azza, neckrings, a breezy thing (Rust)<\/em>, a \u00e9t\u00e9 d\u00e9voil\u00e9e \u00e0 Art Toronto en octobre 2023 et sera expos\u00e9e \u00e0 la galerie communautaire RBC <\/a>, \u00e0 Toronto.<\/p>\n\n\n\n

Pour l\u2019artiste elle-m\u00eame, cette plong\u00e9e dans l\u2019\u0153uvre de son fr\u00e8re est une exp\u00e9rience pr\u00e9cieuse.<\/p>\n\n\n\n

\u00ab Il y a quelque chose de beau et de po\u00e9tique dans le fait que ces deux \u0153uvres puissent \u00eatre pr\u00e9sent\u00e9es c\u00f4te \u00e0 c\u00f4te. Partager mon espace avec celui de Teto est quelque chose de magnifique \u00bb, explique Azza.<\/p>\n\n\n\n

\u00ab La peinture de rouille est destin\u00e9e \u00e0 se transformer et \u00e0 \u00e9voluer \u00bb, explique Jane Hutchison, directrice, Collection d\u2019\u0153uvres d\u2019art RBC.<\/p>\n\n\n\n

\u00ab Il y a une alchimie qui se produit, de sorte que cette \u0153uvre d\u2019art va continuer \u00e0 changer dans sa fa\u00e7on de se pr\u00e9senter. J\u2019aime le fait que cette \u0153uvre soit directement influenc\u00e9e par son environnement \u00bb, explique Mme<\/sup> Hutchison.<\/p>\n\n\n\n

La technologie comme outil pour perp\u00e9tuer l\u2019h\u00e9ritage de son fr\u00e8re<\/strong><\/strong><\/h2>\n\n\n\n

Ces derniers mois, Azza a explor\u00e9 les m\u00e9canismes de l\u2019intelligence artificielle. Elle dit avoir t\u00e9l\u00e9charg\u00e9 et mis en place son propre mod\u00e8le d\u2019IA personnalis\u00e9, qui s\u2019apparente \u00e0 un ChatGPT priv\u00e9. Elle le forme elle-m\u00eame.<\/p>\n\n\n\n

\u00ab Il n\u2019est plus n\u00e9cessaire de conna\u00eetre le code informatique pour faire ces choses \u2013 c\u2019est, pour moi, ce qui est le plus int\u00e9ressant. La technologie occupe une place pr\u00e9pond\u00e9rante dans notre vie d\u2019aujourd\u2019hui. C\u2019est juste un autre outil qui me permet de m\u2019exprimer \u00bb, dit-elle.<\/p>\n\n\n\n

Au cours de son dernier semestre \u00e0 Yale, Azza a form\u00e9 un algorithme pour g\u00e9n\u00e9rer des peintures sp\u00e9culatives \u00e0 l\u2019image de l\u2019\u0153uvre de Teto, avec l\u2019aide du Digital Humanities Lab de Yale.<\/p>\n\n\n\n

\u00ab J\u2019ai montr\u00e9 les peintures \u00e0 ses amis et je leur ai demand\u00e9 ce qu\u2019ils en pensaient. Ils ont \u00e9t\u00e9 tr\u00e8s surpris, ils pensaient que c\u2019\u00e9tait son travail. \u00bb<\/p>\n\n\n\n

\u00ab Je pense que c\u2019est aussi une fa\u00e7on pour moi de refuser que son \u0153uvre soit oubli\u00e9e. C\u2019est une fa\u00e7on de perp\u00e9tuer son h\u00e9ritage. \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"

La derni\u00e8re \u0153uvre de l\u2019artiste, acquise par la Collection d\u2019\u0153uvres d\u2019art RBC, s\u2019inspire d\u2019une peinture de son d\u00e9funt fr\u00e8re.<\/p>\n","protected":false},"author":15,"featured_media":19319,"template":"","meta":{"_acf_changed":false,"editor_notices":[],"rbc_url_alias":"","rbcwm_featured_desktop_image_position":"","rbcwm_featured_mobile_image_position":"","footnotes":""},"tags":[637,635,636],"rbcwm_content_owner":[],"rbcwm_solution":[],"rbcwm_community_category":[601],"rbcwm_community_pillar":[585],"class_list":["post-19318","rbcwm_community","type-rbcwm_community","status-publish","has-post-thumbnail","hentry","tag-lart-a-lhonneur-a-art-toronto","tag-la-collection-doeuvres-dart-rbc-acquiert-des-oeuvres-dartistes","tag-la-technologie-au-service-de-lart","rbcwm_community_category-art-et-culture","rbcwm_community_pillar-arts-et-culture"],"acf":{"rbcwm_subtitle":"La derni\u00e8re \u0153uvre de l\u2019artiste, acquise par la Collection 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